Jolivette: Art must be functional. Artist must be critical thinkers who observe, analyze, interrogate, and offer solutions to the problems within their (our) communities. As a poet, Dr. Mother Angelou observed the pain of her people.
She analyzed the conditions of her people. She interrogated herself to see how she could best contribute to the ongoing work, begun before she was born, to help heal the hurt and pain of her people. It is obvious that her answers came in the form of ‘be positive’ and ‘uplift’ your people with your work and words and your work-in-words. There is nothing more genuine than seeing ones own humanity and the humanity of others and being positive in the face of treacherous negativity.
How would you characterize Angelou’s style—her language, her tone, her choice of metaphors, and so on?
Continue reading Gifts for Mother Maya by Jolivette Anderson
April 4th =
The bornday of Dr. Maya Angelou
The assassination of Rev. Dr. Martin Luther King Jr.
Here’s one of her many messages, “Love Liberates”
1) Although Angelou writes almost exclusively for African Americans, she has a huge following from other races. Why do you think this is?
The Honorable Mother Maya writes from her experience as a human being first. Yes, I know that sounds cliche’-ish… “same-ing”, if you will, the initiation of a struggling explanation, but if one listened to ‘Mother-Sister’, you can sense what was an insistent appetency to set right and at the same time comfort in her addressing us… all of us. Although her literary gifts to us were addressed from a woman’s eyes, simply because she was one, she was the glowing and towering, vibrant, flowing seductive and insistent, yet sweetly confident member of this human race first and wanted us all to feel that same sublime rendering of naked and free’d expression of self.
Little girls, givers of life- [where her story and destiny begins] come in all colors and influences and each deserves love and encouraging and protecting. If the opposite is present, the difference dissipates and only the commonality of pain and tragedy, joy and ascending, remain- none of which is specific to any particular race, opinion, or culture. Her living is / was certainly on common ground with the human spirit set in each of us regardless of our location or station or not; as well as her truths. That kind of naked, bold, unencumbered, raw, vivid, biting and sometimes seducing caressing, and loving truth in her writing, sets us all on common playing ground.
How would you characterize Angelou’s style – her language, her tone, her choice of metaphors, and so on?
Continue reading Gifts for Mother Maya by Reverdia da’ River Woman
“Stories that come to me in the middle of the night from folks I don’t know. Don’t have nothing to do with me except they know I know how to get a pray through and a story straight.”
Susan “Spit-Fire” Lively is a poet, spoken word artist, producer, photographer, educator, and activist from Belleville, IL. Co-organizer of “100,000 Poets & Musicians for Change – St. Louis” since its inception in 2011; Susan also produces the series’ “First Bloom” and “Women For Peace”, and co-produces the “Dia de los Muertos Fiesta”. In 2016 she became an Officer of Urb Arts’ Executive Board. In January of 2017 Susan produced the St. Louis leg of the international event “Poets & Musicians Against Trump” (with co-producer John Blair).
Lively’s been featured on “Literature For The Halibut”, “The Arts with Nancy Kranzberg”, the “Healthy Living Program” and PBS’ “Living St. Louis”. She has taught spoken word and creative writing at Confluence Academy, Foster and Adoptive Care Coalition, and for the Nine Network and St. Louis Fringe. Susan’s work has been published in “Static Movement”, “Postcard Shorts”, “Head To Hand”, “The East St. Louis Monitor”, “The PEN”, “Chance Operations”, “Drumvoices Revue 20th Anniversary Edition”, “SIUE News”, “Big Bridge“, “No Vacancy” and the social justice anthology “Crossing the Divide“.