moon face full of stars.
little woman / soft voice with cursive connotations.
and universe hugging
woman of literature.
my love for her is beyond words.
adoring / fond / attached like a new lover.
even though she is associated with the black arts movement, she is one of those artists who have walked through hip hop with us. her words have survived the linguistic flips and inspire/challenge writers today. she joined blues music with her poetic styles of tanka and haiku. she is the key of b sharp.
she is award winning and legendary and highly sought after for lecturing on women’s rights and literary topics.
I am writing this as if everyone knows where she was born and who she was married to and how many books she has, etc. if you don’t know… look her up and land in love with poetry and prose. over. and over. again.
sonia sanchez, one of the reasons I have realized/actualized I must write.
She Chronicles celebrates the feminine narrative through showcasing Her unique vernacular in literary contributions. “Women writing about other women responsibly.”
People think this is not a big message, women writing responsibly about other women. If so, the majority of female stage, screen and television actors would not be placed in story lines primarily due to their relation with children and/or their husbands/boyfriends. We would have more stories that detail a developed protagonist and her achievements. There are TONS of stories that have a lead male who has a mission/goal that he goes after ambitiously and then at night returns home to his wife and children or his girlfriend. This is the massive norm. The feminine narrative has been bent into shapes over so many years that it is literally unrecognizable. Her voice sits so politely on the couch or hangs so nicely creased in the closet it appears comfortable and satisfied. It is not.
Their words inspire internationally. Boldly illustrate the colors of political change and voices options in curing our societal ills. Our fractured diction has been preserved through early works of Sonia Sanchez’s, “We a baddDDD People“. Maya Angelou spoke honestly for being sexually irresponsible as she grew to conquer her mystery as a woman in “Just Give Me a Cool Drink of Water ‘Fore I Diiie“. And Ntozake Shange and June Jordan re-defined the writing style known as prose with lengthy poetic pieces. These two could quite easily and possibly be credited for the birth of “performance poetry.” I dare say we unanimously agree that these women join the ranks of men who taught us through their works the tools to envelop a devoted love for our community, children, and self love. Now, as I take on ownership of their continued path, I get lost for direction when it comes to being a selfless artist and balancing a successful relationship simultaneously. They didn’t write that down for me! Is it perhaps because they are all divorced and never remarried themselves? Do they know the answer? So… I wanna’ talk about it…
Why are all my sheroes single?
I have not found the poem or story that tells me how to be a vulnerable artist for a voice of people and then sincerely transform into his confidante and lover. The consistent downfall of my relationships are me not being afforded the space and freedom I need to be an artist. The process is very selfish and my partners understand that only 45% of the time. The other 55% is spent with their conscious or unconscious repeated attempts of trying to get to the root of my creative power. If I can’t practice my art with the space I need, I’m half a person. Which means he’ll only be getting half too, then we’re both unhappy and it ends.