Being a woman is not a story, we cannot be placed as non-fiction on your shelf
It is a movement
an expansion of bones.
being a Woman is a lesson in astronomy.
cooking chili is a recipe and then it is done
being a Woman is not a story.
We are not dialogue to be used in moving a plot forward
We are more than fixtures in the home after work and school
We hold more than bedtime consultation sessions
We are not chili to be written as a recipe and then close the book once the dish is done.
And this is what “Rebel” is about
“Im ok”, means terrified
“And I’m good”, means I’m paralyzed
but She makes it look like manicured oak trees on an antebellum tour
8. She’s a mixture of Big Mama with a Ph.D. in Street Knowledge
9. demanding that profit in death precedes her brother, not with or after
11. And they show Her allowance in letting Her body being pleased
12. Her occasional leisure in blowing trees to the wind
being a Woman is not a story that is non-fiction and simply closed.
It’s Tuesday so you know that means “Rebel” comes on BET tonight! Enjoy the last poem I wrote for the “Rebel Yell” series on BET.com entitled, “Reverse Opinions”. AND TUNE IN TONIGHT!
moon face full of stars.
little woman / soft voice with cursive connotations.
and universe hugging
woman of literature.
my love for her is beyond words.
adoring / fond / attached like a new lover.
even though she is associated with the black arts movement, she is one of those artists who have walked through hip hop with us. her words have survived the linguistic flips and inspire/challenge writers today. she joined blues music with her poetic styles of tanka and haiku. she is the key of b sharp.
she is award winning and legendary and highly sought after for lecturing on women’s rights and literary topics.
I am writing this as if everyone knows where she was born and who she was married to and how many books she has, etc. if you don’t know… look her up and land in love with poetry and prose. over. and over. again.
sonia sanchez, one of the reasons I have realized/actualized I must write.
“It is not enough to be a woman writer. It is imperative that we are women writers who write about other women, responsibly. Otherwise, we’ll continue to write rebuttals on misrepresentation or the utter absence of our literary presence.”
Recently I returned to the city that grew my art, Los Angeles, California. It is not the city I was born and reared in, however; it is the city that I consider home. Where I grew into a woman and an artist.
Not expecting anyone to write my story, a few years back I had the audacity to write a piece of Los Angeles poetry HERstory that was not talked about. What prompts this post is, during my recent visit to Los Angeles when I spoke about this information in front of a crowd, I was asked to be mindful and tell the “whole story” of LA women in poetry. Interestingly enough, I’ve never seen the “whole story” written by my male comrades nor during my visit did I hear any conversations that announced the “whole story” of women in poetry. The four day span I was in Los Angeles, when “the good ‘ole days” conversations came up, there was a repeated rundown of the male figures that were prominent in the foundational game but the women were harmoniously absent from the listings.
She Chronicles celebrates the feminine narrative through showcasing Her unique vernacular in literary contributions. “Women writing about other women responsibly.”