“I want to go down in history in a category marked miscellaneous because the writers could find no other way to categorize me in this world where classification is key!” – Staceyann Chin
How does poetry inform your visual art?
Poetry has informed my Visual Art in May ways. Poetry compels me, challenges me to look deeper into myself, to see the truths, the good as well as the ugly. I am challenged to open my eyes, to SEE and it is by seeing more of myself that I am able then to see everything around me a new, to find the “poetry” in photos as well on the canvas… Poetry also teaches me how to be fearless. It is with that sense of fearlessness I am able to Shoot and Paint.
How important is accessibility of meaning for a poem?
That’s a great question, I tend to write from my private parts, I attempt to reveal my deepest secrets my fears, my joys my life, experience and sometimes my fantasies… I am often shocked when others relate to a piece. There are even some pieces that I have written that I no longer relate to or even like but someone will come up to me and say something like ” yo Sage… That poem ‘Fight’… It really moved me”. This tells me the accessibility of meaning is sometimes not for the Artist but for the audience.
If you are in the Los Angeles, Ca area, come out this Saturday, 4/25 and MEET SAGE:
and don’t forget to support the release of his new poetry cd next month:
the cd is available for autograph and purchase.
Jolivette Anderson-Douoning is an Interdisciplinary scholar whose research is grounded in the Humanities and Applied Professions disciplines.
Also known as Jolivette Anderson ‘the poet warrior’, she is a Race and Culture Educator who uses “Third Space Theory” to develop teaching and learning experiences that facilitate greater understandings of Black cultural existence and experience in the United States.
She is a Phd student and research assistant in American Studies / Curriculum and Instruction at Purdue University. Her current research examines the purpose and relevancy of Black Cultural Centers between 1965 to 1995 and interrogates the future of BCC in a post – Obama United States of America.
She has four recordings of poetry and prose: Love and Revolution Underground, At the End of a Rope in Mississippi, Jolivette Live: A Bluesy Funk Life Cycle, and She Energy.
For bookings and additional information email@example.com or DrJolly2015@gmail.com