Tag Archives: national poetry month

after all

She said all it would take is $10
to sense the spirits around me
and read my future.

voodoowoman

But I tried to tell her it wasn’t me I was worried about

my prayers are blown to the
sunset gray ridden waves
that have washed my wishes and haunts

my prayers are for the
street prophets freestylin’

thinking they showed me love and let me slide
ignorant to the active place of genocide
in his backyard and her bosom.

I pray for abandoned children with two parents

I pray so long sometimes I fall asleep
and dream of the ancestors

I dream of heaven

I pray for women with deep
uterine itches
that only her missing child can scratch.

I pray poets with purpose
plant potent seeds for
progression with poise

I pray the baroque docks
so other poets can simply stop.

I pray this teaches those that know
that they don’t
so we can hold each other.

The incense hypnotized the seconds
as she checked her clock

she ended up
giving me $20.

  • nikki skies, from the book, “Pocket Honey Wind & Hips”

Gifts for Mother Maya by Reverdia da’ River Woman

 

 

1) Although Angelou writes almost exclusively for African Americans, she has a huge following from other races.  Why do you think this is?

The Honorable Mother Maya writes from her experience as a human being first.  Yes, I know that sounds cliche’-ish… “same-ing”, if you will, the initiation of a struggling explanation, but if one listened to ‘Mother-Sister’, you can sense what was an insistent appetency to set right and at the same time comfort in her addressing us… all of us. Although her literary gifts to us were addressed from a woman’s eyes, simply because she was one, she was the glowing and towering, vibrant, flowing seductive and insistent, yet sweetly confident member of this human race first and wanted us all to feel that same sublime rendering of naked and free’d expression of self.

Little girls, givers of life- [where her story and destiny begins] come in all colors and influences and each deserves love and encouraging and protecting.  If the opposite is present, the difference dissipates and only the commonality of pain and tragedy, joy and ascending, remain- none of which is specific to any particular race, opinion, or culture.  Her living is / was certainly on common ground with the human spirit set in each of us regardless of  our location or station or not; as well as her truths. That kind of naked, bold, unencumbered, raw, vivid, biting and sometimes seducing caressing, and loving truth in her writing, sets us all on common playing ground.

How would you characterize Angelou’s style – her language, her tone, her choice of metaphors, and so on?
Continue reading Gifts for Mother Maya by Reverdia da’ River Woman

SHE CHRONICLES: Video Post, Jaha Zainabu

“Stories that come to me in the middle of the night from folks I don’t know.  Don’t have nothing to do with me except they know I know how to get a pray through and a story straight.”

SHE CHRONICLES: “Nana, Mother, Love” by Susan “Spit-Fire” Lively

When I think of you, my Nana, I think of…
nature’s smiling spring blooms,
good food cooking in a warm room,
life over-flowing from floor to rafters,
the things that I’ll recall forever after.
Because when I think of you, my Nana,
I think of family, joy, and laughter.
You see, I was the precious clay in your hands,
and you gave me the best gift when you said
that I had your heart.
When you died, I felt my world come apart.
A woman unlike any other,
for there could never be another,
like the lady who taught me
how to live, how to love – Nana, Mother, Love
New PIC

Susan “Spit-Fire” Lively is a poet, spoken word artist, producer, photographer, educator, and activist from Belleville, IL. Co-organizer of “100,000 Poets & Musicians for Change – St. Louis” since its inception in 2011; Susan also produces the series’ “First Bloom” and “Women For Peace”, and co-produces the “Dia de los Muertos Fiesta”.  In 2016 she became an Officer of Urb Arts’ Executive Board. In January of 2017 Susan produced the St. Louis leg of the international event “Poets & Musicians Against Trump” (with co-producer John Blair).

Lively’s been featured on “Literature For The Halibut”, “The Arts with Nancy Kranzberg”, the “Healthy Living Program” and PBS’ “Living St. Louis”. She has taught spoken word and creative writing at Confluence Academy, Foster and Adoptive Care Coalition, and for the Nine Network and St. Louis Fringe. Susan’s work has been published in “Static Movement”, “Postcard Shorts”, “Head To Hand”, “The East St. Louis Monitor”, “The PEN”, “Chance Operations”, “Drumvoices Revue 20th Anniversary Edition”, “SIUE News”, “Big Bridge“, “No Vacancyand the social justice anthology “Crossing the Divide“.

https://www.facebook.com/#!/SPITFIRE365
Instagram.com/Susan_SpitFire_Lively