Their words inspire internationally. Boldly illustrate the colors of political change and voices options in curing our societal ills. Our fractured diction has been preserved through early works of Sonia Sanchez’s, “We a baddDDD People“. Maya Angelou spoke honestly for being sexually irresponsible as she grew to conquer her mystery as a woman in “Just Give Me a Cool Drink of Water ‘Fore I Diiie“. And Ntozake Shange and June Jordan re-defined the writing style known as prose with lengthy poetic pieces. These two could quite easily and possibly be credited for the birth of “performance poetry.” I dare say we unanimously agree that these women join the ranks of men who taught us through their works the tools to envelop a devoted love for our community, children, and self love. Now, as I take on ownership of their continued path, I get lost for direction when it comes to being a selfless artist and balancing a successful relationship simultaneously. They didn’t write that down for me! Is it perhaps because they are all divorced and never remarried themselves? Do they know the answer? So… I wanna’ talk about it…
Why are all my sheroes single?
I have not found the poem or story that tells me how to be a vulnerable artist for a voice of people and then sincerely transform into his confidante and lover. The consistent downfall of my relationships are me not being afforded the space and freedom I need to be an artist. The process is very selfish and my partners understand that only 45% of the time. The other 55% is spent with their conscious or unconscious repeated attempts of trying to get to the root of my creative power. If I can’t practice my art with the space I need, I’m half a person. Which means he’ll only be getting half too, then we’re both unhappy and it ends.
I believe in transition. I believe energy transforms into something else or somewhere else. From that perspective, the universe became stronger a year ago today when Maya Angelou transitioned.
This is one of my favorite photos of her. She was 82 in this picture and praised her wisdom and the gift of life! I hope you enjoy her words 🙂 We love and miss you Mother Maya!
“82 is hot! 82 is fabulous! I thought that the 60’s were good, I thought that the 60’s were the hottest ever! And then I got into the 70’s, what?! I loved the 70’s! I thought well the 80’s, it’s going to be slowing down. Not! I’m writing a cookbook, I’m writing a new poem, a big poem! I’m writing music, I’m writing! I’m working! And I’m talking to you. The 80’s, try and make it! Try to make it to 80.” – Oprah’s Master Class / Maya Angelou, 2011
1) Although Angelou writes almost exclusively for African Americans, she has a huge following from other races. Why do you think this is?
The Honorable Mother Maya writes from her experience as a human being first. Yes, I know that sounds cliche’-ish… “same-ing”, if you will, the initiation of a struggling explanation, but if one listened to ‘Mother-Sister’, you can sense what was an insistent appetency to set right and at the same time comfort in her addressing us… all of us. Although her literary gifts to us were addressed from a woman’s eyes, simply because she was one, she was the glowing and towering, vibrant, flowing seductive and insistent, yet sweetly confident member of this human race first and wanted us all to feel that same sublime rendering of naked and free’d expression of self.
Little girls, givers of life- [where her story and destiny begins] come in all colors and influences and each deserves love and encouraging and protecting. If the opposite is present, the difference dissipates and only the commonality of pain and tragedy, joy and ascending, remain- none of which is specific to any particular race, opinion, or culture. Her living is / was certainly on common ground with the human spirit set in each of us regardless of our location or station or not; as well as her truths. That kind of naked, bold, unencumbered, raw, vivid, biting and sometimes seducing caressing, and loving truth in her writing, sets us all on common playing ground.
How would you characterize Angelou’s style – her language, her tone, her choice of metaphors, and so on?
Continue reading Gifts for Mother Maya by Reverdia da’ River Woman