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Black Women’s Crooked Room Collection
Tuesday – Thursday 10am-9pm
Friday – Saturday 10am – 6pm
Sunday – Closed for praise and worship services
Monday – Closed to the public
General Admission is free
Explore Black Women’s Crooked Room Collection your way.
Over 400 hundred years of creativity at your fingertips!
Download the BWCRC app for free.
No food and beverages allowed in the galleries, please.
Nada comida y refrescos permitidas en las galerias, por favor.
I think I’ve covered the masses.
Behold our collection of African females of The Middle Passage:
Mapping Women’s Lives
Much attention is given to: their vulnerabilities, survival and resistance
They were the revolt, like Hives.
Enjoy your visit.
But first, we want to make sure that
You understand the Crooked Room guidelines.
@ Times you will have to tilt or bend.
You will be placed in a crooked room and forced to sit in a crooked chair
And align with the distorted images of Black women on the wall.
Careful, don’t fall.
There are miles of galleries to explore
So, I hope you brought your walking shoes
All galleries are wheelchair friendly.
Black women don’t expect you to understand
How the Crooked Room has become grand
Give it time
Come back today, tomorrow, or another day.
If not, stay
Spend time with the images that captures your eye.
Some of the collections will make you cry.
You may eat in the kitchen where we use to eat.
It’s only fair; you have to play by the rules.
Sorry, but once upon a time,
Black people didn’t have the right to choose.
Feel free to look but not touch
All works of art in the BWCRC are fragile.
Keep a safe distance; at least three feet.
Want to know more information about the Crooked Room?
Just ask any Black female
For their story, they’ll tale.
Again, welcome to the Crooked Room.
At age 15, Dr. Dessie Mae Sanders was living in a low income
neighborhood located in South Dallas with two parents and three siblings. Her life was overwhelmed by streets that were surrounded by violence, drugs and prostitution. While attending Lincoln High School and Humanities Magnet, in South Dallas, Dr. Sanders found her passion in The Fine and Performing Arts. She was a strong participant and Alto Choir Leader of the Marine F. Bailey Concert Choir, 1985 – 1988, under the Direction of Evelyn B. Hamilton, and Theater, under the Direction of Dr. Louie H. White.
Today, Dr. Sanders is an outspoken, accomplished author, Educator, Playwright, and
Poet. She is the CEO & Founder of HBCU Connection and The Michelle Obama
International Academy of Arts and Humanities. She has an honorary Doctorate in
Theocentric Humanities, and is currently a Doctoral Candidate, (ABD)-Ph.D. in
Literature, at the University of Texas at Dallas. Also, has a Master’s degree in Liberal Studies, Fine Arts and a Bachelor of Arts in Theater from Grambling State University. Dr. Sanders is a professor of African American Identity and Womanism. As a scholar,her research re-imagines the religious nature within Africa and African-American women, the middle passage, antebellum slavery, and popular culture through stories told.
Sanders authored two books: Speechifying: This is the True Womanist Story, Paperback –August 7, 2013; and Bitter Black Female is an Over-Exaggerated SubCategory,
Paperback – July 20, 2015. Her earlier works include Fatbacks & Collard
Greens. A gospel play about Black family life coupled with the Black church. The play was critiqued in, Sandra M. Mayo’s and Elvin Holt’s. Stages of Struggle and
Celebration: A Production History of Black Theater in Theater, 2016. Fatbacks &
Collard Greens is now on (Video) with the Black Academy of Arts & Letters, GRIOT
Productions Season 37, at the University of North Texas Library. Her recent poem “59
Mirror Stage” was published by Eber & Wein Publishing, September 26, 2016. It was
featured at the Dallas Museum of Art’s Jazz Night, June 10, 2015.