Nikki Skies for NATIONAL POETRY MONTH
Here is something I’m very excited about: next Tuesday, April 22, we’ll be premiering the restored version of Amiri Baraka’s The New-Ark (which he wrote and directed as LeRoi Jones), at Rutgers-Newark:
The New-Ark had been almost entirely forgotten until Lars Lierow discussed it in his recent Black Camera article about lost Black Arts filmmaking (even Baraka himself, so far as I can tell, made but a passing parenthetical reference to it in his autobiography). The only known print in existence is at Harvard Film Archive, in the collection of cinematographer James Hinton.
Here are some glimpses from it (courtesy the James E. Hinton Collection, Harvard Film Archive, Fine Arts Library, Harvard University):
I’ve been doing some archival digging on the film, because I’ll be introducing it with some brief comments about Baraka’s film work—much of which has gone nearly as overlooked as The New-Ark. The 1967 adaptation of Dutchman (which you can
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